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| Author's Note:The following actually started as small bits of writing throughout one of my notebooks. The words were all written between 2002-2005. I noticed one day while flipping through the pages that there were a handful of pieces that had a certain flow to them and when put in a certain order, almost told a story. The beginning and the end were defined; the in-between needed a little something else. At this point, I wrote a few more pieces, inserted them into their proper place in the 'story' and thought I was done. I had written the prologue on the front of this particular notebook after reading A Heartbreaking Work of Staggering Genius and as I was typing these up, I decided I wanted to borrow it from Mr. Eggers and use it as my prologue. I thought it was a great...[read more] | | |
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the simpler stuff just seems to work better, i think: for example, in 'chapter vii', the first verse does more to move the reader than the last two, just because the final verse kinda hits you over the head with what the poem's supposed to mean. it might just be my personal preference, but when poems are simpler, they become more effective; using lines such as "is this breaking you? / this is not breaking news" (from another piece) don't affect me as a reader like they should because there are a bunch of them all stuck together in the same piece.
all that said i think a few more revisions would do a lot for these. sorry if this sounded overly critical or like i'm trying to be all fancy with the criticism; i just really like poetry/prose and i think this is obviously from the heart, it just gets bogged down a little with witticisms and overly wrought language.
I was going to say the same thing. I really enjoyed this, thanks. I liked this line a lot: "you're a bad, bad influence / and everyone's under you / but baby, I'm over you."