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South by Southwest 2012: Day One
|South by Southwest 2012: Day One|
03/15/12 at 11:06 AM by Adam Pfleider
|Sorry for the late response. I've been Robo-tripping a cold for the past two days and this morning I've felt the worse, and by that, I think my body is finally purging itself of the bulk of compression that's been sitting on my lungs for the past 24 hours. That said, I'm probably going to stay in this morning (going to try and suck it up and catch Narrows before heading to the show I'm putting on tonight.) Besides feeling like complete shit yesterday, the day wasn't a total bust - for the most part.|
I woke up to go pick Eda and her friends up at the airport and after dropping them off I headed to the West side of town to catch fun. play a short performance. Now, what I'm about to say is going to be cruel, but it has to be said - so please just bare with me. fun.'s set was acoustic, and absolutely incredible. As far as vocalists go - not only in pop music, but in the contemporary in general, Nate Ruess is pretty untouchable. You can bitch all you want about the slight use of computers on the new record, but he certainly proves himself live. The band is tight as ever. Jack Antonoff can even solo pretty slick on that acoustic. To see such a great performance, boy did I have to sit through some horrible stuff. The opening band, I didn't catch their name, but the one who won the opening slot was pretty good. Loved the rhythms and vocal melodies. As a band who "got a shot at the big time" they were better than what followed. Even as I was well over light-headed from the quarter of bottle of Tussin I had before heading to the showcase, the next three acts either bored me with washed out electronic antics or unmoving songwriting. I attended the whole show with Cameron (cameronisonfire) and I think he said it best, "It's like mainstream pop is trying to grasp the indie sound." It's weak, and not even an overdosge of "purp" could make it sound better.
The night was a way better story. I was helping Keith Latinen put on his Count Your Lucky Stars Showcase. Like Topshelf the night before, there was a ton of "community" (don't forget, it returns tonight) felt across the room. Whether it was the local support of bands like football, etc. or the newest signings from Texas - Innards and Two Knights - about 200 kids both inside and watching from the open window outside - you could feel the intensity that again, away from all the "official," there was something a group of people felt more special about. It doesn't just go for this show, but any show held outside the "official" perimeters of South by Southwest - from warehouses to coffee shops. South by Southwest isn't about where your badge or wristband can get you, it's simply about where you are in the moment. I know most of the bands and have seen just about everyone on last night's roster, but I do want to point out how Mountains For Clouds blew me away. First time seeing them and hearing them and it was one of the best performances of the week so far.
There's one disconnect I wanted to point out about last night that sort of irked me. I was really stoked to have Chris Simpson's new band Zookeeper play (Mineral, The Gloria Record), as well as Bob Nanna and Lauren LoPiccoo close out the night. I have respect for all these guys for what bands they were in and what bands came after. Besides us older guys and the rest of the bands, both acts had some of the smallest crowds of the night. Maybe I've reached the age where there is a disconnect now from generation to generation, but it just sort of bummed me out. So maybe this is just me being an elitist or someone stuck in the past, but don't forget where your favorite bands took their influence from and I would encourage to catch these special performances when you can.
I'm going to rest up and head out to see Narrows in a few hours. Hopefully I'll be better tomorrow. Shirts For a Cure, Sargent House and the site showcase - tomorrow is packed and I can't wait!