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Deborah Remus
Show Review: Every Time I Die (03/19/10)
03/20/10 at 10:21 AM by Deborah Remus
Went to the show last night, here's my take on it:

Trapped Under Ice

To be totally honest, I never heard of this hardcore band from Maryland until it was announced they were on this tour. The crowd seemed more familiar than I was actually and it was a good time with lots of energy and moshing. I wouldn't say that their set turned me into a gigantic fan, but it was pretty decent anyway.

Polar Bear Club

I was pretty excited to see this band and they didn't disappoint. Chasing Hamburg was one of my more favourite records from 2009 and they pulled off the songs live just as well as they do on a recording. There was no overly amusing banter or anything, they just played but they played well and here is what the set comprised of. If anything, it was just a shame they didn't play a little longer:

What They PlayedLiving Saints
Light of Local Eyes
Parked In the Parking Lot of Your Heart
Another Night in the Rock
The Bug Parade
Election Day
Burned Out In a Jar
Our Ballads

Four Year Strong

When they were driving from Iowa to Winnipeg, a wheel came off their trailer and they were stuck on the side of the road for a little while. Doors were supposed to open at 6, but they didn't actually open at 7. In fact, during the start of Polar Bear Club's set they still weren't at the venue, but they made it with just 10 minutes to spare! And they still put on such a great show. You couldn't even tell they didn't have a chance to settle in and do a soundcheck, like they did when they were here last April for Taste of Chaos. It was awesome hearing the new songs live. And it was pretty cool when a bunch of people rushed up on stage for a big sing along at the end:

What They PlayedIt Must Really Suck to Be Four Year Strong Right Now
Bada Bing! Wit’ a Pipe!
What the Hell is a Gigawatt?
Maniac (R.O.D)
On a Saturday
Nineteen with Neck Tatz
Prepare to Be Digitally Manipulated
Wasting Time (Eternal Summer)
Heroes Get Remembered, Legends Never Die

Every Time I Die

Since FYS were finally here, I missed some of Every Time I Die's set to get everything sorted out. A big thank you goes out to Alan Day for taking time to talk to me instead of cancelling the interview all together! Expect it ready to read within the next 2-3 weeks because school is SO busy for me right now.

Anyway, from what I did catch of their set it seemed like a good time! They were here a few years ago with Alexisonfire so it's nice to have them back up here in Canadian cities most bands don't play. Keith and the rest of the band were great and they seemed to have played a wide range of their material. There wasn't an encore though and here's a rough taste of what they played. This is far from complete, but I figured I should put down at least a little bit of what I caught since they were the headliners: Roman Holiday, The Marvelous Slut, Apocalypse Now and Then, No Son of Mine, Who Invited the Russian Soldier?, The New Black, Kill the Music, After One Quarter of a Revolution and We’rewolf.

And that's about it. It was very much a less talk, more rock type of show.
Tags: every time i die, four year strong, show review, polar bear club, trapped under ice
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Show Review: Moneen (11/30/09)
12/01/09 at 06:25 PM by Deborah Remus
Went to the show last night, here is my take on it:

Passenger Action

The only time this band really caught my attention during their set was when they covered a song by Refused and didn’t butcher it. They even picked one of my personal favourites “Summer Holidays Vs. Punk Routine” but they didn’t sing it themselves. They had Moneen’s bassist Erik Hughes come up on stage to do the vocals for them. That was pretty cool to witness.

Sights & Sounds

For those unaware, the band features Andrew Neufeld from Comeback Kid and Joel Neufeld from Sick City. It’s definitely different than their full-time bands, much more dreamy and experimental for lack of better words. By this point, the crowd had moved closer to the stage so the reception was warmer than it was for Passenger Action. But overall, the set was pretty basic. They just played their songs and didn’t interact much with the crowd, but they had much more energy than Passenger Action. Neufeld can head-bang better than most. They released their full length Monolith on Smallman in May and played tunes like “Reconcile,” “Storm & the Sun,” “Night Train,” and “Sorrows.”


It’s been quite awhile since Moneen toured across Canada and Kenny Bridges took time to acknowledge that fact later on in the set. The last time I saw them was in 2006 when they toured with Saves the Day and Circa Survive. I wasn’t overly familiar with the band’s material at that point, but I could tell most of the crowd was. Kids were singing, moshing, crowd surfing and the band was just as energetic. It’s a show that I will always have in the back of my mind and it inspired me to check out more of the band’s stuff.

“Hey, we’re Moneen,” Kenny Bridges simply stated before tearing into “Don’t Tell Locke What He Can’t Do” off of their acclaimed 2006 effort The Red Tree. No dramatic entrance, no flashy stage set-up, just four guys playing music.

The crowd was enthusiastic for their presence, but they didn’t really go crazy until “The Passing of America” near the end of the set. I can’t help but feel like some people were just waiting there for that song. And trust me, once it was played, the room came alive similar to how it did three years earlier. They invited members from the opening bands on stage, grabbed huge drums and went into the crowd to pound them until nearly everyone was chanting “No, I won’t go, I want to stay here with you!” at a deafening level. It’s always cool to see that type of crowd interaction and it’s what makes shows worth attending.

The encore simply consisted of “Start Angry...End Mad.” Bridges was mumbling something about a curfew between songs so perhaps the venue was the reason. The show was held at the West End Cultural Centre. The last time I was there was in 2007 before they shut it down for renovations and while it looks a lot nicer now, I'll still take the Garrick any day over that place.

Anyway, I got a rough set-list for those who want to have an idea of what they are playing. I could be missing a song or one could be in the wrong order but overall, it’s pretty accurate:

What They PlayedDon’t Ever Tell Locke What He Can’t Do
If Tragedy’s Appealing, Then Disaster’s an Addiction
Are We Really Happy With Who We Are Right Now?
The Frightening Reality of the Fact That We Will All Have to Grow Up and Settle Down One Day
Hold That Sound
This Is All Bigger Than Me
Tonight I’m Gone...
The Way
The Monument
The Passing of America
Start Angry... End Mad

Oh, and the interview is coming. Probably in two weeks at the most because I know the other staff have interviews to post and I’m busy finishing off my last two weeks of school. I interviewed Steve and Erik. We only had 15 minutes, but I still think we covered some decent ground.
Tags: show review, moneen, sights and sounds, passenger action
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Gaslight Anthem/Frank Turner Interview Update
10/03/09 at 12:48 PM by Deborah Remus
So on Thursday, I went over to the Garrick to interview Frank Turner and also, Benny Horowitz from the Gaslight Anthem. Expect both to be posted in 2 weeks at the latest, school is very busy, so I don't have as much time to transcribe things as quickly as I used to. I think both went well though. The Gaslight Anthem interview was originally supposed to only last for 15 minutes, but Benny spent an extra 10 minutes talking with me so most things could be covered. And Frank Turner is a very interesting guy, if you still don't have any of his records I suggest you get on that right now.

But anyway, the show was pretty good. Too lazy to give some big, huge review. I didn't care for Murder by Death's set, but I loved both Frank Turner and the Loved Ones. I noticed some people were asking questions about the Gaslight Anthem's set-list, so I figured I'd just get it at the show and answer that myself:

Set List:
High Lonesome
Casanova, Baby!
Old White Lincoln
Even Cowgirls Get the Blues
The ’59 Sound
We Came to Dance
Film Noir
Miles Davis & the Cool
The Patient Ferris Wheel
Seńor and the Queen
Meet Me by the River’s Edge
Great Expectations
Here’s Looking at You, Kid
The Navesink Banks
The Backseat
Blue Jeans and White T-Shirts
We’re Getting a Divorce, You Keep the Diner
Tags: the gaslight anthem, frank turner
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09/15/09 at 08:18 PM by Deborah Remus
I find it funny that by the time I attempt to close this blog, I get hired on as staff. Weird, now I feel bad about the last post and I guess I will make the effort to keep it going, at least a little bit.

I wish I had something else to say though, but I really don't. Thanks to Eda and Linda pushing for me to get on staff and Jason for making the change! I really appreciate it and I am really looking forward to this amazing opportunity.
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Last Updated: 05/27/13 (61,972 Views)
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