Near the end of Billy Talent's set, while they were playing their first hit single "Try Honesty," Ben Kowalewicz stopped singing to let the crowd in on a few facts. For one, he mentioned that this summer will be their 20th anniversary of playing in a band together. For another, he mentioned that it will be their 12th anniversary of being known as Billy Talent instead of Pezz. And also he gave a shout out to Sum 41, who took a chance on them before anyone cared and brought them on their first real tour across Canada in 2001 or 2002.
And while I don't mean to correct him, I think he has the dates wrong because I remember attending the very tour he's talking about on May 25, 2003 at the Burton Cummings Theatre right here in Winnipeg. That was the first of countless shows I've ever attended over the years and that makes attending the Dead Silence tour 10 years later all the more meaningful to me. Tons of things have changed over the last decade, not only in my life, but in the lives of the bands as well. But the one thing that hasn't changed is that they're still playing shows and I'm still into the same music I loved when I was in grade 7. I feel like this tour is just concrete proof that it was never just a phase, that there was something really special going on that night in 2003 and I think it's cool everyone (except Brownsound) is here to commemorate it:
Over the years Billy Talent and especially Sum 41 have been incredibly supportive of up-and-coming Canadian bands. This was no different last night when they selected Indian Handcrafts from Barrie, Ontario to open up the show. I have to admit I don't know that much about this band, aside from the fact that they only have two members and they're signed with Sargent House, but I still enjoyed their set. They lack the energy and charisma that brings a lot of arena shows to life, but I have a feeling if I saw them at a place like the Pyramid they'd be a lot more into their element. They never addressed the crowd until the end of the set and even then it was only to introduce themselves and talk about their Jagermeister sponsorship. I really think they could have done a better job bringing some life into their set, but the music was good.
Hollerado were in the same boat because they never played arenas before either, but this quirky pop rock band from Manotick, Ontario proved that they are born naturals and absolutely commanded the crowd. They kicked their set off with "Americanarama" by having a pogo party on stage and in between songs they were just as lively. Instead of spending a lot of time plugging themselves and the record they just released in February, they chose to compliment the crowd (whether it was by mentioning the Winnipeg Jets or Propagandhi) and tell the back story behind one of their tunes. Like Billy Talent opening for Sum 41 in 2003 and Protest the Hero opening for Sum 41 in 2004, they left the crowd wanting more and I can only assume they're going to have a bright future ahead of them.
Up next was Sum 41 themselves and I was quite excited for their set, mostly because the last time they played Winnipeg was in 2005 and the last time I saw them was in 2004. After the departure of Brownsound they stopped touring Canada as much and Deryck Whibley's back problems forced them to cancel shows in 2007 and 2011, but they finally returned last night and that's all that matters I suppose. Deryck also acknowledged this during their set, saying they were "fucking assholes" for taking so long to come back and I can't say I disagree with him, haha.
I was curious to see what they would play and in the end their choices surprised me a little bit. For a band that talked themselves up so much surrounding the release of Screaming Bloody Murder, I found it very interesting that they chose to play none of those songs. I'm not really disappointed because I didn't really like that record, but I still find it amusing, especially when I think back to that free documentary they released awhile back. I'm not really too sure if it's because they don't like those songs after all, they know most of their fans prefer their older material or they wanted to keep up with the 10th anniversary theme, but whatever the reason the older material is what we got. They also busted the first cover I've seen them play, which was a lively punk version of Queen's "We Will Rock You" that was incredibly well done.
As for the actual performance, it was absolutely phenomenal. I was sort of doubting them, but they came back and definitely restored my faith in their band. I'd have no problem slamming them in this review if I thought they actually deserved it, but I can't do that because there's nothing to really complain about. They came out to AC/DC's "TNT" and then Deryck (who still has his spiky hair that's currently dyed red) addressed the crowd saying "Here's Johnny" before launching into "The Hell Song." The band sounded amazing and they looked like they were having fun, which is always a plus. Deryck was an even better front man than I remembered him being, he seemed even more confident this time around, but maybe that's just me. He reminded me a bit of Green Day's Billie Joe Armstrong at times and that definitely isn't a bad thing. He tried to keep the crowd engaged and at one point he pulled up a few people to watch their set from the side of the stage, which I thought was cool. I still miss Brownsound, but Tom Thacker is amazing guitarist while Stevo and Cone were just as awesome as I've always remembered them. One thing I noticed is that the band chose to improvise some of their songs, which I thought added a nice touch. At the end of "Motivation" they played this metal instrumental and for "In Too Deep" they launched straight into the loud chords instead of doing the softer guitar intro. The only thing that sort of bummed me out was that they didn't launch into "Pain For Pleasure" after "Fat Lip." Deryck going behind the drums and Stevo grabbing the mic was always a highlight back in the day, but their set was a little on the short side and I guess they didn't have the time.
The Hell Song
We're All to Blame
In Too Deep
Over My Head (Better Off Dead)
We Will Rock You
While Sum 41 ignored their newest material, Billy Talent definitely didn't follow suit and they played a lot of tracks from Dead Silence, which was released last September and proves they still have the capability to release good records. Of course they also tossed in their beloved singles and some choice cuts like "This Is How It Goes," but the new record definitely dominated the stage set-up and song choice that night. I think this is my fourth time seeing Billy Talent and they sounded great as always, especially Ian D'Sa who was playing a guitar with a maple leaf on it. The band talked a lot about Canada and hockey in between songs, giving a shout out to the late Stompin' Tom Connors and making a bet that they'd play a free show in Winnipeg if the Jets beat Ben's team (I'm assuming that's the Leafs?) in the playoffs. The stage set-up was similar to how it's always been, but I noticed they had screens on both sides of the stage that captured the guys as they were playing. I thought that was cool, but I was also in the stands so I wasn't exactly that close to the stage. A lot of people were complaining that Deryck looks awfully old in the birthday thread I made for him last week, but based on where I was sitting and without the use of the screen for their set, I can't really comment, haha. I will say that all the guys in Billy Talent were looking pretty good though. Near the end of the set the camera was flipped and it showed everyone in the crowd going crazy instead, which was another nice touch.
As for the crowd, it seemed to be a decent turnout and it wasn't just your typical punk show kids. I sort of feel silly for writing this, but we spotted a guy with an Insane Clown Posse jacket and after watching people in my Critical Studies of Discourse class give a 45 minute presentation on Juggalos I just have to mention it in this review. I think it really hammers home my point that Billy Talent brings out a large, diverse group of people and I think that's a pretty awesome thing in most cases. With their trademark sound and because Americans don't care, I really think it's laid the groundwork for Billy Talent to become a band that we can really call our own as Canadians. This was one of those nights that makes me really happy to live in Canada and be around for some of the amazing music that's being made. I guess I can still be pissed that American bands like Fall Out Boy pretend we don't exist, but we have our own amazing bands right here in our own backyard and that's something I should be more grateful for. Make sure you go to the remaining shows of this tour and show your support for our amazing homegrown talent!
Lonely Road to Absolution
Viking Death March
Devil in a Midnight Mass
Love Was Still Around
Stand Up and Run
Rusted From the Rain
Runnin' Across The Tracks
Diamond on a Landmine
This Is How It Goes
Devil On My Shoulder
Usually I only go to shows when I'm really into the bands playing, but sometimes curiosity (and a little nostalgia) gets the best of me and that's pretty much what happened last night. The nostalgia hit pretty hard when I walked into the Burton Cummings Theatre and they were blasting Cute Is What We Aim For, followed by some older New Found Glory, Blink-182, The Matches and My Chemical Romance. It perfectly set the tone for the night and reminded me why I was there in the first place, even though it was -27 degrees Celsius outside.
Fireworks were up first, although I was more curious to see them than nostalgic. The band kind of fits in with The Wonder Years and Living With Lions, but they still went over with the crowd of predominantly teenaged girls pretty well. Most people chose to stand rather than sit, which I thought was interesting, especially because most sat when Teenage Bottlerocket and The Menzingers had the exact same slot on the exact same stage. I still think the lead singer's voice is too high pitched for my tastes, but other than that they sounded pretty good and brought a lot of energy to their short set. In between songs they discussed the seats and the cold, which is something every band talked about that night. The only surprising thing is that they never paid much attention the their first record. They didn't even play "Detroit," but I guess bands can get sick of songs sometimes. These are the tracks that I caught, but I could be missing one:
I Grew Up in a Legion Hall
X's On Trees
Oh, Why Can't We Start Old and Get Younger
The Wild Bunch
Yellowcard almost didn't make it because their bus broke down in the cold, but thankfully they did because they played the best set that night and I'm glad I finally saw them. Ryan Key joked a few songs into their set that they'd hurry up and get to "Ocean Avenue" as quickly as possible, but truthfully the band's new material translates just as well, especially the live version of "Always Summer." The guys weren't quite an energetic as I was expecting, especially since I heard Sean Mackin does back flips, but they were still talkative with the crowd and fun to watch. This band will always make me think of grade 8, but seeing them live showed me that they haven't lost all relevance in 2013 and I will be giving Southern Air another spin. This is the set list that has been circulating around and it seemed pretty accurate to me:
Surface Of The Sun
Light Up The Sky
Rough Landing, Holly
Sing For Me
Here I Am Alive
With You Around
Lights And Sounds
While it was a co-headlining tour, someone had to play last and that was All Time Low, which was probably a good choice. The crowd was excited to see Yellowcard, but they were even more excited to see those guys come out and play some songs. It's been over 5 years since I saw All Time Low with Boys Like Girls, Valencia and The Audition and a lot has changed, aside from just the larger venue. The band has put out three more records since then and they definitely focused on Don't Panic and Nothing Personal the most. "Dear Maria, Count Me In" and "Coffee Shop Soundtrack" were the only songs I really knew the words to, but I can't say I was shocked by their decision to keep it more current either. The newer stuff doesn't stand out to me as much, though I do like "The Irony of Choking on a Lifesaver," a song that the band unfortunately didn't play that night.
Yet, despite my jaded attitude the crowd seemed to love the songs the band chose to play. The girls were all screaming, while holding signs and even paper hearts. One thing that didn't really change was the stage banter about testicles and running naked through the streets. These guys were even more talkative than Yellowcard and Alex Gaskarth proved again that he's really good at fronting that band and commanding the audience. There was a point where he made everyone on the floor sit down in their seats while he lectured the people in the balcony for sitting there texting and people actually seemed to listen to him. It's like the crowd would seriously do anything that he said.
I see the bra throwing is still going on, something I didn't see the last time, but remember reading about through this very website. There were just a few on Jack Barakat's mic stand, but still, it's something that puts a bit of a bad taste in my mouth. I know it's not supposed to be offensive, but for me it just continues the idea that women are only capable of being girlfriends or groupies. I wish more girls would be inspired to do more than just fool around with guys in bands, but I'm afraid that I don't see that attitude changing anytime soon either. Their fangirls are pretty intense, but at least the band is willing to laugh at them a little I guess. When Gaskarth tossed his water bottle into the crowd, some girl immediately tossed it in her purse and he joked around with her about it, even doing a Gollum style "My Precious" impersonation. Ultimately All Time Low proved they know how to keep their target audience happy and in the end I learned I'm not really a part of that audience like I once was:
Somewhere in Neverland
Forget About It
If These Sheets Were States
Damned If I Do Ya (Damned If I Don't)
Coffee Shop Soundtrack
Lost in Stereo
The Reckless and the Brave
Dear Maria, Count Me In
Going into this show it was interesting to see just how many people would show up, especially because you can never be sure how the crowd will react in Winnipeg. I've seen Sharks, Thursday, Cobra Skulls, Broadway Calls, Dave Hause, Tony Sly and more play to an almost empty room and that's always a bummer because you know the band doesn't really have a reason to come back, especially when the city is so isolated in the first place. Thankfully that didn't happen with Title Fight and Winnipeggers were stoked to see them so I'm sure they'll be back sooner than later. After such a slow year, 2013 is already starting to look up and hopefully the city can welcome more bands like this during the next 11 months.
Title Fight kicked things off with "Secret Society" from Floral Green and mostly let the music speak for itself. Out of the four, bassist/vocalist Ned Russin was the most entertaining to watch live and while he didn't say much in between songs he did apologize for not making it to western Canada sooner. Other new tracks like "Leaf" made the cut, but so did older ones like "Memorial Field" and "27." "Numb, But I Still Feel It" is a song I always have to blast when it comes on shuffle and being able to hear it live was a definite highlight. The crowd went wild throughout the set and there was a ton of stage diving, even though the volunteers at the WECC seemed to disapprove. People were also shouting for an encore when the approximately 45 minute set was over.
As usual, Living With Lions played another entertaining set. This is the first time the band has officially played Winnipeg as a four piece with Chase taking over vocal duties and while his voice isn't as low there wasn't a huge difference. Bill took on the backing vocals and it mostly sounded like the Living With Lions everyone already knows and loves. It's a bit of a bummer that Stu's no longer in the band because he really was a great front man, but the band proved it is possible to make it work as a four piece and they're still one of my favourites making music in Canada right now. Sometimes the guitar was a little bit sloppy as Chase sang, but it's still earlier in the transition and I expect the band will be more polished when they return. The set began with "Pieces" and then launched into the next three tracks on Holy Shit. The latest record was where most of the songs came from, but they still fit in "Later is Better," "Cold Coffee," and "A Bottle of Charades" at the end. The set was less talk, more rock as usual, but Chase did acknowledge it had been ages since they had been in Winnipeg, which was true. The band played three shows here in 2011, but no shows in 2012, so seeing them within the first two weeks of 2013 was long overdue for sure.
Dangercat seems to be quite popular in this city and brought out a decent sized crowd who seemed to know the songs from Where I'll Be, which was released through The Newform Label last year. It will be interesting to see what happens with this band in 2013 and if audiences outside of Winnipeg latch onto them. There were a number of people who showed up for Distances as well, another band that gives me some faith in our local music scene. They seem to sound way better live than on the recordings so that means I might have to give that EP another chance soon.
The first show of 2012 was City and Colour and it looks like the last show I'll have seen this year is Gallows. It's not the Alexisonfire farewell tour, but it's still cool to see the former members haven't totally forgotten about us. I've personally always wanted to see Gallows, but when Frank Carter was in the band they never made it to the Canadian prairies. They were supposed to play on the massive Billy Talent/Alexisonfire/Against Me! tour in 2010 and Cancer Bats ended up filling in the slot instead because they couldn't make it.
But with Wade MacNeil on vocals, he has made touring across Canada a priority and that's something he acknowledged himself last night. He said it was cool to show the guys more of his country, especially since he got to see so much of the U.K. earlier this year. Then he launched into "Cross of Lorraine" and dedicated it to us. Overall, the band played an intense, compact set that lasted around 45 minutes. They chose a few other songs from the self-titled record, like "Outsider Art," "Odessa" and "Last June." But they also opened with "Misery," a single from 2009's Grey Britain and tossed in tracks like "London Is The Reason." The band also busted out "In the Belly of a Shark" and they ended with "Orchestra of Wolves," which sparked a cool singalong at the end. While the set was a bit short, it was a good mixture of everything they have released so far.
I've seen more people packed into the Pyramid, but I've also seen a lot less so I'd say the band had a decent mid-sized turnout. It was nice to see a smaller show without a barricade and the crowd was well behaved, aside from someone who MacNeil kept telling to be quiet between songs. The pit wasn't too crazy, but it was also a bar show and people were older so that's possibly why. Gallows sounded great and everyone was energetic, especially guitarist Laurent Barnard. MacNeil didn't move around as much, but he still delivered a solid performance.
Montreal's Barn Burner were the opening act and they were OK. There was a lot of long hair, a lot of head banging and a lot of metal riffs, but that was the extent of it. I think I would have enjoyed the set more if I was a bigger fan of the band and of metal in general. They just kind of got up there and played their songs, which is fine, but it doesn't really do much to engage the crowd. Sometimes the songs speak for themselves, but I can't say that was the case for me last night.
And since both bands played for less than an hour, they got two local bands to take the stage as well. One was called Terrorist. The other was called The Blackout Brigade and they reminded me of the Bouncing Souls and Pennywise mixed together. The singer admitted right at the start that they aren't really active anymore and they were only playing the show to see Gallows for free, so take that as you will. Musically they showed promise, but the vocals were absolutely awful, even for a punk band. I think Dangercat or Kids and Heroes would have been a better fit, but the band did have some people singing along near the front, so I could be alone on that one.
After releasing three commercially successful records, Marianas Trench have finally started headlining arenas in Canada. And despite listening to them since I heard "Say Anything" in 2006, this was the first time I got around to catching them live. I wish I didn't put it off for so long, but I'm also really glad that they've reached this level and can pull off a huge tour like this. If there's any band on Hot 103 deserves a show at the MTS Centre, it's definitely them.
The fans were the main focus that night and the guys tried to interact with them as much as possible throughout the show. Before they launched into "Beside You," Josh Ramsay said their first show in Winnipeg was at the Zoo. Then they showed a slideshow of pictures submitted by fans while they performed as a way of saying thanks. At one point Ramsay decided to sing in the crowd and once he got to my section girls bolted down in hopes of getting close to him, which I can tell was the highlight of their night. During the encore he let fans choose the song he would cover via Twitter, which was my personal highlight of the night. I was expecting him to cover Justin Bieber or another current artist, but to my pleasant surprise he launched into "Jumper" by Third Eye Blind while sitting behind a huge white piano. The moms and girls in my section didn't seem to get it, but I was totally smiling.
The band promised theatrics, which they more than delivered. At the start of the show Ramsay came out of a jack-in-the-box and he was attached to some wires which allowed him to float around in the air. They decided to recreate the underwear scene from the "Desperate Measures" music video and that was just one of the many costume changes. I think it's also worth mentioning that there was a person in a pink gorilla suit running through the sections pumping up the crowd. Basically there was always something crazy going on, the band really tried to do something different for each song. And if you think I'm talking about Ramsay too much while ignoring Matt Webb, Mike Ayley and Ian Casselman, it's just because he stole the show and truly commanded the crowd. The guy has an amazing voice on recordings and it was really cool to finally see him in action.
As for what they played, it was mostly songs pulled from Ever After which was released last November. It's another concept record and while they didn't play the whole thing front to back, they showed video clips which recreated the storyline in between songs, which I thought was a nice touch. I wish they busted out "Perfect" but I can't really fault them for it. I was entertained even if I didn't get to hear some of my personal favourites:
All To Myself
Truth or Dare
Haven't Had Enough
Cross My Heart
No Place Like Home
The opening slot should have gone to Brighter Brightest, but instead it went to Vancouver's Anami Vice, who were pretty much a poor man's Down With Webster. I was thinking of skipping the real Down With Webster, but I remembered AbsolutePunk introduced me in 2008 and my curiosity got the best of me. I still think they're cheesy, but I can't deny the fact that their set was a lot of fun. Like Marianas Trench they know how to entertain and give the crowd what it wants, which is never really a bad thing. There was a cool drum solo in the middle where they used the theme from Super Mario and a clip from "Gangnam Style." "Your Man" was super catchy and I sort of enjoy that song for what it is despite some of the objectionable rhymes. The main track I recognized was "Rich Girl$," a Hall & Oates mash-up which the crowd seemed to know all of the words to. And lastly I have to give them props for inviting fans to meet them after the show at the merch table. I wasn't about to take them up on it, but I think it's pretty cool a band at their level is willing to do that. All the bands really tried to break the barrier that night and it was truly refreshing to see.
Eight years is a long time to be waiting for something and that’s the amount of time I’ve been waiting to see Brand New. I was 14 back then and while lots of things have changed over the years, my love for this music scene is not one of them. I’d have to say living on the Canadian prairies is the reason why it took so long, since the region is not a place many bands tour, especially bands from the United States. Brand New did play a show here back in 2007, but I was 16 and wasn’t really allowed to go to shows so all I could do was cross my fingers and hope they’d come back. Thankfully five years later they have and I knew when this tour was announced in March that there was no way I wouldn’t be there.
My expectations for this show were obviously sky high and I’m happy to say that Brand New definitely met them the second they came on stage for “Millstone.” All of them seemed happy, which I think is worth noting as well. I don’t know if it’s true, but I’ve heard the band can be a little standoffish, something I didn’t experience. Jesse didn’t talk much in between songs, but when he did he sounded enthusiastic for sure. They didn’t have a backdrop or anything like that, but they did have plenty of lights.
The venue was switched from the Burton Cummings Theatre to the Garrick, something I have mixed feelings about. I think Brand New deserve to sell more tickets, but the Garrick only holds 750 people and it’s my favourite venue in the city, one I haven’t been to since Face to Face were there in May 2011. I’m not too sure if they sold it out, since I know they were still selling tickets when I arrived. Still, I think they came close because it was quite packed and I got there just in time to secure my spot in front of Vinnie’s side of the stage. If I was standing further back or sitting in the seats, I don't think my experience would have been quite as awesome. I wanted to be right up there in the middle of everything and I'm really glad that I was. There was sadly a barricade, but it was a bigger show and there were a number of Jesse Lacey fangirls so I guess it was needed.
The set list has been circulating all over the Internet, including our Tour Discussion forum, so if you're really interested you can head there. It would have been nice to hear "Logan to Government Center" or "Me Vs. Maradona Vs. Elvis" but I really can't complain because I think they put together a fairly diverse selection. I'd rather write about things that seemed to be more unique to the Winnipeg show and the first was the addition of "Mix Tape" after "Jude Law and a Semester Abroad" and “Seventy Times 7.” I was wondering if there would be crowd surfing during the Your Favorite Weapon songs and there definitely was. There was also some great sing alongs, especially for “Mix Tape.” I find that song to be pretty cheesy now, I legitimately remember my older sister laughing out loud at the lyrics, but it was awesome to finally hear it live. For those three songs it was almost like they were an entirely different band in some ways, especially when they started up “Jesus” right after.
We also got “The Quiet Things That No One Ever Knows,” which made me really happy because that was the first Brand New song I ever heard and the reason why I bought Deja Etendu. Hearing it was pretty special and I loved how Jesse’s guitar was out of tune at first so he just sort of hummed the opening guitar line. For the encore, Jesse came out to perform “Play Crack the Sky,” which was what I was expecting and it was an excellent way to end their set which lasted almost two hours. It’s hard to pick a favourite point, but near the end was probably the best. The live version of “You Won’t Know” was just phenomenal because the guys put everything they had into it. Vinnie grabbed one of the lights and started using it to strum his guitar while Jesse dropped to his knees as he was singing.
I was there strictly because of Brand New, but the openers were amazing too and both sets ended up blowing me away. An Horse are all the way from Australia and their songs remind me a little bit of something Tegan and Sara could write. Jesse Lacey himself actually came out to play bass for them, which was cool. He looked really happy up there with them and was singing along to most of the songs. I had to do a double take at first because he looked like he was a member of the band, not just a fill in. I really wish I was more familiar with Cursive, I’ve heard some stuff off The Ugly Organ, but I never really gave them the attention they probably deserved. It’s been awhile since I’ve seen someone sing with as much emotion as Tim Kasher does and I know I’ll be checking out more of their stuff now.
I just want to use the end of this to thank Union Events for bringing such an amazing tour up to Canada. And of course thanks to Brand New for agreeing to come up here to play for us, even though the drives are long and the crowds aren’t as big. I appreciate it.
I just got back from Ecuador a few days ago and while I ended up missing Strung Out thankfully I didn't miss Brighter Brightest at the Ellice Theatre last night. I had an amazing trip, but it was kind of nice to get back into the music, especially when I've only been to three real shows this year and the last one was in April. The night started out with a lot of local talent, but I was out for dinner and didn't end up catching any of it. I couldn't get there until 9, which wasn't too late in the end because The Red Threat were just setting up. The band hails from Edmonton and I first heard of them when they were added to the Ten Second Epic tour, the one The Dangerous Summer dropped off of before missing their flight to the UK shortly after.
Anyway, the band sounded alright, but they weren't really my thing. They made me feel like I stepped back in 2005 and in some ways I'm over that sort of stuff. Their lead guitarist had a haircut that looked like the one Pete Wentz used to have, complete with the little emo swoop. But they don't really sound like Fall Out Boy, they reminded me more of Silverstein without the screaming. And to be honest with you the crowd seemed to be on my side. Only around 11 people were actually standing at the front, everyone else was sitting down near the back for the whole set, which I think is a decent indicator. I remember seeing TAT with Lagwagon four years ago and a lot of people were skeptical, but by the end every single person was at the front of the stage. Overall I felt that their singer should have moved around a lot more than he did. Their bass player made up for it though and he was the most entertaining to watch out of all of them. They even had little stage props with their names on them at opposite ends of the stage. But in the end I can't say their set amazed me, although it was cool to see another up-and-coming Canadian band.
Brighter Brightest didn't have any stage props, but they didn't really need them. It was my second time seeing these boys and they were solid as usual. Like The Red Threat, Brighter Brightest aren't overly energetic either. They just kind of stand around and play, but the fact that they write hooks better than most bands covered on AP.net definitely makes up for it. Their songs are unbelievably catchy and it's awesome to be able to hear them in a live setting because they can pull them off just like they sound in the studio. The guys looked like they were having a blast too and Derek was eager to talk to us in between songs.
They obviously played a ton of songs off of Right for Me, which is the debut record they released almost a year ago that I still listen to regularly. "It's Not Easy," "All I Know," "Everyday," and "Who I'm Supposed To Be" are just some of the songs that made the cut. The second last song was "Welcome Home," which was the only cut from the EP they released back in 2009 I believe it was. They closed with "Right For Me," a song most of the small crowd definitely knew the words to. I was a bit worried that the crowd was just going to be teenage girls, but that wasn't the case at all. I think that further shows the wide appeal this band has compared to The Maine and All Time Low.
And of course, the guys always seem to do a cover song and this time it was "Teenage Dirtbag" by Wheatus. A little cheesy as even Derek admitted, but still tons of fun and the guys pulled it off. I think I preferred the Taking Back Sunday cover last year, but still awesome. They didn't do an encore, but "Call Me Maybe" came on immediately after for better or worse. Just seeing them alone is worth the $10, I think they could get away with charging more, but that's what the merch table is for I guess. Support these guys and go to the shows! The Canadian scene needs all the help it can get in my opinion, especially on the prairies where only around 50 people show up.
I've lost count how many times I've seen The Flatliners over the years, but it's a lot. Whether they're headlining or opening for someone else they're always worth seeing and last night was no different. The band packed in a decent sized crowd into the Ellice Theatre and they kicked things off with "Meanwhile, In Hell..." before launching directly into "Carry the Banner" from 2010's Cavalcade. They don't talk much to the crowd, they don't have a crazy stage set-up and they don't do anything overly entertaining, but it works for them. All of their songs sound excellent live and they don't need anything extra to keep you interested. The crowd was pretty tame, but someone nearly cracked their head open the last time they headlined Winnipeg so that's probably the reason people didn't get as rowdy.
A lot of songs were from their latest record, but you won't see me complaining. It's held up over the last two years and it was the moment they truly lived up to their potential in my opinion. They ended their set with "He Was a Jazzman" and it was cool seeing "Monumental," "Shithawks," "Liver Alone," and "Count Your Bruises" make the cut alongside "Christ Punchers," which was on the Monumental 7-inch. "Eulogy," "Mother Teresa Chokeslams the World" and "Fred's Got Slacks" were some of the older tracks and at this point I've listed most of their set. They played for about 50 minutes so you can expect quite a few songs.
A bunch of Winnipeg bands opened the show and one of them was this metalcore band called Waster. If you like Cancer Bats, there's a chance you might like them. They're pretty heavy, they used to be called FAME and Daniel from Carpenter released their new record. Kids and Heroes reminded me of a cross between Blink-182 and Set Your Goals. I heard of them through our weekly Mailbox Listings and while I didn't review the record, I did listen to a few songs and was pretty stoked to see they recorded a cover of Wave's "California." That song was the jam back in grade 5 and I wish they played it, but I can't complain too much. A punk band called Asado was the first to play and I'm assuming other cities will see their local talent represented at their dates as well.
After seeing them open countless shows over the years, I finally saw Cancer Bats headline last night. I'm not sure what took me so long, but I'm glad I finally went because this band puts on a killer show. They kicked off their set with "Old Blood," the first single from Dead Set On Living, their new record that drops on April 17. I was also happy to see them play "R.A.T.S" because that's probably my favourite track from the new record.
And of course they didn't forget their older records either. I was happy to see "Sleep This Away" make the cut because it's one of my favourite album openers ever. It's just so heavy and low and it translated perfectly to a live setting. "Deathsmarch" is another song I was glad to see them play. Basically, the only downside was having to leave a little bit early to catch the last bus. Usually shows finish by 1 a.m. at the Pyramid, but whatever. The best thing was that lots of people showed up, which was nice to see. The place was pretty packed and everyone went wild, including the band. I want to post a picture Jeremy Bolm from Touché Amoré took because it shows Winnipeg's love for Cancer Bats better than any of my words can. It was an intense kick-off for the band's Canadian tour:
Speaking of Touché Amoré, I don't listen to them much, but I still enjoyed their set even if I thought it was incredibly short. The only song I recognized was "Home Away From Here," which they dedicated to the Weakerthans and Propagandhi. Apparently they played here before, which made me respect them more because few American bands tour western Canada. The best part was during a song that I think is called "Honest Sleep." A bunch of people jumped on stage to sing the last part of that song, even though the security guard was less than impressed.
Waster, formerly known as FAME, opened the show and they were OK. A Sight For Sewn Eyes was next and they were OK too. I think it's cool the singer performed the last song in the crowd and he also said that Distort will release their new record in June. All in all, it was a fun night and my fellow Canadians should definitely go to this tour when it rolls through their city!
I’ve seen Dallas Green with Alexisonfire numerous times over the years, but this was the first time I saw him solo as City and Colour and it was a good, but obviously different experience. It was nice to finally see someone at the Burton Cummings Theatre who fits in with how the venue is laid out. All you’ll find is red plush seats, but those are perfect for taking in a show like this, which is a lot mellower than the shows I usually go to.
Dallas came on stage all dressed up with his band, sticking to the left side instead of moving to the front and centre where his bass player stood. I’m probably reading into it too much, but I thought it was interesting he was in the same place he stood with his former band. He kicked things off with “We Found Each Other in the Dark” and instantly I realized just how great he sounds live. Usually there’s a slight difference, but with Dallas, there’s no difference between his amazing voice live or on recordings. It was perfect. After he dug into “Sleeping Sickness,” one of his more popular songs and then into “The Death of Me” before choosing Little Hell’'s “The Grand Optimist.” For the most part he just kept on playing. He wasn’t as conversational as some of the other solo acts I've seen, but I can’t say I was expecting him to be either. It wasn’t until he played the somber “Missing (Serravalle)", a song he wrote about his religion teacher, that he really got talking.
I was too busy watching him on stage to really know what happened, but apparently some people were standing up, moving around in their seats and trying to get a better angle to capture the performance on their iPhones. He said “What the fuck?” and stopped playing before launching into how people paid money to see the show and how everyone in the crowd should be respectful to each other and sit down. The majority of the crowd seemed to agree and cheered as he was talking and I could see where he was coming from to a certain extent. Before he started his new song, “Body in a Box,” he asked everyone to do him a favour. He didn’t want anyone to get on their phones to recapture the show, he just wanted them to be experiencing it in the moment. And after that, the diverse crowd was on its best behaviour. There were plenty of people like me who grew up on Alexisonfire and MuchMusic, I even ran into two people I went to high school with. But it was so much more than that, I saw some people my age at the show with their moms, some younger families, even some people who had to be in their 40s or 50s. He sold a venue that holds just under 2000 people out and it was a big reminder of just how big City and Colour has gotten over the years.
Back to the show, he basically continued on as before. He got the crowd to do a sing along for “What Makes a Man?” and that was cool. The way the chorus is set up, he needs two singers and it worked out well. Then he played “The Girl” and he started doing some friendly small talk, commenting on the abnormally warm Canadian winter this year. Before long, it was time for the encore. He came out alone, still sticking to the left side of the stage, and apologized for lashing out earlier that night, which was met with cheers. Then he launched into “Comin’ Home.” Eventually his backing band returned and they played “Sometimes (I Wish)” before leaving the stage for good. It was a good set, about 16 songs I believe. He played for an hour and a half.
The opening act was Rhode Island’s The Low Anthem and while they sounded great, I can’t say their set was too memorable. The type of music they play, it’s definitely not energetic, but I felt like they could have engaged the crowd more.
Went to the show last night, here's my take on it:
Trapped Under Ice
To be totally honest, I never heard of this hardcore band from Maryland until it was announced they were on this tour. The crowd seemed more familiar than I was actually and it was a good time with lots of energy and moshing. I wouldn't say that their set turned me into a gigantic fan, but it was pretty decent anyway.
Polar Bear Club
I was pretty excited to see this band and they didn't disappoint. Chasing Hamburg was one of my more favourite records from 2009 and they pulled off the songs live just as well as they do on a recording. There was no overly amusing banter or anything, they just played but they played well and here is what the set comprised of. If anything, it was just a shame they didn't play a little longer:
Four Year Strong
When they were driving from Iowa to Winnipeg, a wheel came off their trailer and they were stuck on the side of the road for a little while. Doors were supposed to open at 6, but they didn't actually open at 7. In fact, during the start of Polar Bear Club's set they still weren't at the venue, but they made it with just 10 minutes to spare! And they still put on such a great show. You couldn't even tell they didn't have a chance to settle in and do a soundcheck, like they did when they were here last April for Taste of Chaos. It was awesome hearing the new songs live. And it was pretty cool when a bunch of people rushed up on stage for a big sing along at the end:
Every Time I Die
Since FYS were finally here, I missed some of Every Time I Die's set to get everything sorted out. A big thank you goes out to Alan Day for taking time to talk to me instead of cancelling the interview all together! Expect it ready to read within the next 2-3 weeks because school is SO busy for me right now.
Anyway, from what I did catch of their set it seemed like a good time! They were here a few years ago with Alexisonfire so it's nice to have them back up here in Canadian cities most bands don't play. Keith and the rest of the band were great and they seemed to have played a wide range of their material. There wasn't an encore though and here's a rough taste of what they played. This is far from complete, but I figured I should put down at least a little bit of what I caught since they were the headliners: Roman Holiday, The Marvelous Slut, Apocalypse Now and Then, No Son of Mine, Who Invited the Russian Soldier?, The New Black, Kill the Music, After One Quarter of a Revolution and We’rewolf.
And that's about it. It was very much a less talk, more rock type of show.
Went to the show last night, here is my take on it:
The only time this band really caught my attention during their set was when they covered a song by Refused and didn’t butcher it. They even picked one of my personal favourites “Summer Holidays Vs. Punk Routine” but they didn’t sing it themselves. They had Moneen’s bassist Erik Hughes come up on stage to do the vocals for them. That was pretty cool to witness.
Sights & Sounds
For those unaware, the band features Andrew Neufeld from Comeback Kid and Joel Neufeld from Sick City. It’s definitely different than their full-time bands, much more dreamy and experimental for lack of better words. By this point, the crowd had moved closer to the stage so the reception was warmer than it was for Passenger Action. But overall, the set was pretty basic. They just played their songs and didn’t interact much with the crowd, but they had much more energy than Passenger Action. Neufeld can head-bang better than most. They released their full length Monolith on Smallman in May and played tunes like “Reconcile,” “Storm & the Sun,” “Night Train,” and “Sorrows.”
It’s been quite awhile since Moneen toured across Canada and Kenny Bridges took time to acknowledge that fact later on in the set. The last time I saw them was in 2006 when they toured with Saves the Day and Circa Survive. I wasn’t overly familiar with the band’s material at that point, but I could tell most of the crowd was. Kids were singing, moshing, crowd surfing and the band was just as energetic. It’s a show that I will always have in the back of my mind and it inspired me to check out more of the band’s stuff.
“Hey, we’re Moneen,” Kenny Bridges simply stated before tearing into “Don’t Tell Locke What He Can’t Do” off of their acclaimed 2006 effort The Red Tree. No dramatic entrance, no flashy stage set-up, just four guys playing music.
The crowd was enthusiastic for their presence, but they didn’t really go crazy until “The Passing of America” near the end of the set. I can’t help but feel like some people were just waiting there for that song. And trust me, once it was played, the room came alive similar to how it did three years earlier. They invited members from the opening bands on stage, grabbed huge drums and went into the crowd to pound them until nearly everyone was chanting “No, I won’t go, I want to stay here with you!” at a deafening level. It’s always cool to see that type of crowd interaction and it’s what makes shows worth attending.
The encore simply consisted of “Start Angry...End Mad.” Bridges was mumbling something about a curfew between songs so perhaps the venue was the reason. The show was held at the West End Cultural Centre. The last time I was there was in 2007 before they shut it down for renovations and while it looks a lot nicer now, I'll still take the Garrick any day over that place.
Anyway, I got a rough set-list for those who want to have an idea of what they are playing. I could be missing a song or one could be in the wrong order but overall, it’s pretty accurate:
Oh, and the interview is coming. Probably in two weeks at the most because I know the other staff have interviews to post and I’m busy finishing off my last two weeks of school. I interviewed Steve and Erik. We only had 15 minutes, but I still think we covered some decent ground.