Some of you reading may like the band Fire and Ice, and some of you may want to know that they recently posted a varietyof homophobic tweets and basically said they don't care if anyone is offended. I asked the label why they'd keep a band like this on their roster and didn't hear back. I think everyone can make their own decisions about what music they listen to and what they can put up with from artists ... but for me, this is one of the lines that renders a band unlistenable in my book.
I mean, I think often I say things and realize that Americans hear what I say differently to how I hear it. I love Wes and he’s a big brother to me and one of my first friends in the industry, and part of having a friendship with someone like that is not letting them say stupid shit. Taylor’s my friend as well, and I’m a girl, and if I see some weird body-shaming on my feed I’m going to be like, “Hey man…” We do still love each other, hopefully
Yesterday (September 1), as Billboard reports, Green deleted two tweets prior to removing his whole account in which he is alleged to have written: "People who have really been raped REMEMBER!!!" and "If someone is passed out they're not even WITH you consciously! so WITH Implies consent."
I'll never know my father because he died young & it becomes a desirable feat because ppl like u think it's "cool". Well, it's fucking not. Embrace life, because u only get one life. The ppl u mentioned wasted that life.Don't be 1 of those ppl
Lana Del Rey has taken to Twitter (and it looks like since deleted) to respond to the Guardian article we posted about last week. Although Ms. Del Rey directly calls out "Alexis" (probably referring to Alexis Petridis who wrote the review of Ultraviolence for The Guardian), the author of the original piece was Tim Jonze. Tim Jonze has written a follow-up piece that includes the audio files from the original interview.
"i regret trusting the guardian- i didn’t want to do an interview but the journalist was persistent. Alexis was masked as a fan but was hiding sinister ambitions and angles Maybe he’s actually the boring one looking for something interesting to write about. His leading...
Sucks that a culture of entitlement has engrained that its cool to kiss nonconsenting strangers so well that he didnt know what he did wrong. But it just makes me appreciate all of the wonderful supportive and respectful people on this tour and at the show tonight.
Billboard and Twitter have teamed up to present the "real-time charts" to track the most popular music being shared on the social network.
The first is Billboard Trending 140, which compares the frequency a song is shared over the past hour with the hourly average of shares in the last day. The second is Billboard Twitter Emerging Artists, which ranks songs from artists with less than 50,000 Twitter followers by the volume of shares in a 24-hour period. There will also be weekly summaries showing the most popular tracks on Twitter during that time span.
LP didn’t “call the cops” on @RomeMusica smoking pot. Not sure where the rumor came from. Definitely not my style, bummer it happened. We were at a meet & greet when Sublime was on stage, not dressing room. Wouldn’t even know if there was smoke. If someone was “representing the band” to the cops in the venue about weed smoke, they were out of line.
Twitter may try to buy its way out of its growth problem by making another move into music. The company is considering a deal to acquire SoundCloud, the music and audio-sharing company, according to people familiar with both companies.
So how exactly could that be an album tease? Well, Adele's first album, "19," was written and released when the singer was 19 years old in January 2008, and its follow-up, "21," captures her life as a 21-year-old, and was released a few months after she turned 22, in January 2011. If Adele will be revisiting the age of 25 "later in the year," perhaps it will be in the form of the most anticipated album release of the year.
I was planning to write something about this entire "who was talking about emo/pop-punk/whatever" debate that sprung up online yesterday (and touched on it via Twitter this morning), but Ben Cosman at The Wire nails the entire point I wanted to make in one paragraph:
A pissing-contest over who's liked emo longer isn't going to do the genre any favors in popularity. But of course an argument about emo descends into "I was talking about this band way before you were". As Cohen and Hyden (and a slew of others on Twitter) pointed out to Heisel, those who've hung around with the genre should be pleased with the progress it has made recently, both in terms of credibility and quality, instead...
Billboard has always been the standard by which music popularity is measured, and Twitter and its millions of users worldwide have added an entirely new dimension and pace to the way the marketplace interacts with, and evaluates, music and music-makers," said Janice Min, Co-President/Chief Creative Officer of the Entertainment Group of Guggenheim Media. "The Billboard Twitter Real-Time Charts, a natural extension for media brands so in sync in the music space, stands to once again dramatically shape the conversation...
The service announced its iOS app is disappearing from the store today, although anyone actually using it can continue until the service is shut down April 18th. In a followup tweet, the team mentions it will "continue to experiment with new ways to bring you great content based on the music activity we see every day on Twitter."