Anna Leszkiewicz, writing for New Statesmen
, takes a look at the way some music critics tackled Ryan Adams
The media’s most highbrow music critics, the same ones who barely batted an eye at Swift’s release, have rushed forward to gush over Adams’s transformation of a cheesy pop album into something more serious. In the words of American Songwriter, Adams is “bestowing indie-rock credibility” on Swift’s album, potentially even “showing her up by revealing depth and nuance in the songs” and “giving her a master class in lyrical interpretation”. The New Yorker’s review of Adams’s 1989 (it’s worth noting that the magazine did not review Taylor Swift’s album at all), is headlined...