Glover went on to say that he wants another company—“Def Jam, Atlantic, whatever”—to buy him out of his contract, noting that Glassnote must not care about him because he’s “not loud, or outrageous, or a white girl with a big ass.” (Not that most of Glassnote’s other acts—Mumford & Sons, Chvrches, Little Green Cars, Two Door Cinema Club, Phoenix, etc.—are any of those things either.) Glover also maintains that the label has been lying to him, claiming that after he said, “I know how the Internet works,” to his label, they “laughed on the phone and said, ‘oh really?’”
Prodigy of Mobb Deep was not happy about getting a perfect score from Pitchfork for the re-release of Da Infamous. Dylan McCarthy at ToneDeaf takes a look at the entire situation:
He raises the question: should privileged middle-class white guys be commenting on rap music when they have no firsthand experience of the culture and the struggles and oppression that come with it – in other words, no credibility on the matter?
Killer Mike and The Alchemist have teamed up on a new track called "The Boonies" from the forthcoming The Boondocks mixtape. Head to the replies to give it a listen and check out the lineup for the rest of the mixtape.
Chuck Inglish held a listening party for his new solo album, Convertibles, on Friday at Red Bull Studios with producer Mike Einziger (Avicii "Don't Wake Me Up") detailing the production process behind each track. You can check out some photos from the event here. And if you haven't already, you can stream Convertibles on Rdio.
Wu-Tang Clan have a characteristically bonkers way of releasing their other new album this summer, Once Upon A Time In Shaolin. Via AV Club.
...The sole copy of Once Upon A Time In Shaolin will be encased inside an engraved silver-and-nickel box designed by British-Moroccan artist Yahya, then taken on a tour through museums, art galleries, and festivals. There—and only there—visitors will be able to listen to all 128 minutes of its 31 songs on headphones, and only after enduring a rigorous security check to eliminate the risk of any recording devices.
After its limited bootleg pressing and copies available on his current Deep Web Tour, Childish Gambino’s Because The Internet will finally get a larger vinyl release, as part of Record Store Day 2014. The new run is limited to 5,000 copies, includes the original artwork and is packaged along with a metallic o-card (sleeve), printed inner sleeves and a 72-page booklet (12″ by 12″). That booklet may be why it’s priced at $40 for the event.
T-Pain, the much maligned auto-tune singer who had so many massive hits in the mid 00s, has a new profile in the New Yorker that takes a look at how he felt when everyone started to treat him as a joke. The nastiest bit is that Kanye West, who had called T-Pain in to consult on 808s and Heartbreak, wrote a song during those sessions essentially calling every idea T-Pain had garbage. It's an interesting, short piece, and one that I highly recommend.
But what has made T-Pain most resentful since his fall from the top was seeing certain artists use Auto-Tune and not get criticized; rather, they were celebrated as innovators in a way that T-Pain never was. Chief among these were Kanye West,...