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Periphery - Periphery II: This Time It's Personal Album Cover
Author's Rating
Vocals 8.5
Musicianship 9.5
Lyrics 8.25
Production 8.5
Creativity 9
Lasting Value 9
Reviewer Tilt 9
Final Verdict: 88%
Member Ratings
Vocals 8.56
Musicianship 8.53
Lyrics 8
Production 8.72
Creativity 8.75
Lasting Value 8.5
Reviewer Tilt 8.61
Average: 85%
Inside AP.net

Periphery - Periphery II: This Time It's Personal

Reviewed by: Jason Gardner (07/02/12)
Periphery - Periphery II: This Time It's Personal
Record Label: Sumerian Records
Release Date: July 3, 2012


For roughly two years now, we’ve been waiting patiently for a follow up to the self-titled album that put Periphery on the map. Now seemingly unable to escape the label of a groove called djent, the band has finally returned with a second self-titled album of sorts, Periphery II: This Time It’s Personal. Despite the slightly tongue-in-cheek though aptly fitting title and the RPG-inspired track names, this second round proves to take seriously huge strides in the bands maturity of being more than just a djent band. Bolstered from musical progression from the band as a whole, as well as a huge improvement in delivery and variety from vocalist Spencer Sotelo, Periphery II sets itself apart with bobbing grooves, fiery melodies and a truly epic feel. Simply said, this album proves well worth the wait.

There has always been a mixed bag of opinions when it comes to Sotelo and his addition to the band. This time around though, his addition and contributions to the tracks prove to be huge. Never just relying on one or two approaches to his voice. Sotelo shows both smooth melodies (“Have a Blast”, “The Gods Must Be Crazy!”) and aptly commanded, yet versatile scream that supports and melds with the often chaotic instrumentation rather than feel separate from everything else. Lyrically his lines very much fit the epic, almost fantasy like landscapes these tracks paint at times (“Scarlet”, “Ragnarok”). It’s almost as if these tracks suggest an adventure akin to the source of their name with the rugged rhythms and vast electronic bursts plotted throughout.

But in saying that, be reaffirmed that the arguable reason Periphery attracted many of us in the first place is still intact. Musically, Periphery II still displays stellar command of rhythms, melodies and structures that maintain a energetic, confident vibe as the band slips in and out of rhythmic bases and monolithic arrangements. Whether its the sluggish riff of “Muramasa” or an uptempo attack such as “Facepalm Mute”, which also wins the honorable mention award for creativity in a song title, Periphery pick their moments of ‘pure riffery’ with seemingly versatile execution while somehow keeping things coherent. The trio of guitar solos this disc sees doesn’t hurt either, particularly the very sonically fitting and well-performed John Petrucci (Dream Theather) bit from “Erised” – a passage that also fits the bill of keeping up the rather mesmerizing vibe this album seems to have despite some truly overwhelming moments otherwise in production where it is difficult to figure out exactly what is going on.

It’s really a matter of stepping a bit away from the pulsing nature of palm mutes and harnessing Sotelo in a way that doesn’t sound forced. "Facepalm Mute", “The Gods Must Be Crazy!” and “Scarlet” all show a band that is adamant about keeping its musicianship top-notch while giving us a infectious melodies vocally and instrumentally. It’s a very progressive leaning sound that still keeps the band’s heart – including some slick and immersive programming laced throughout ("Epoch", "Ragnorak") – giving Periphery II the ability to appeal even further than the first did. There’s just something that clicks this time around, whether it be Sotelo's first true chance to meld in writing with the band or the addition of guitarist Mark Holcomb, that makes the very sporadic nature of this album palatable – even for someone that isn’t overly familiar with the band or what they’ve done in the past.

Even as the band’s sophomore release, Periphery II ups the ante and leaves any doubt in the dust. Technically stunning and catchy to boot, the band’s second chapter only reaffirms their collective talent and assures us they have a bright future as they progress both as musicians and songwriters. It would only be naive to bet against this band right now, as Periphery II is sure to define the band’s future as one of this year’s best records.
 
Displaying posts 1 - 15 of 35
10:44 AM on 07/02/12
#2
TriangularDuck
we will set sail the prairie
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dream theather

Seriously, solid review for my second favourite album to come out this year so far. Great shit.
10:50 AM on 07/02/12
#3
Steve Alcala
"Counting Fish"
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Spencer's vocals are the strong highlight of the album for me, he stepped up and it REALLY works wonders. Incredible instrumentation and consistently beefy production also shoot this way up.
9/10 for me.
11:06 AM on 07/02/12
#4
rushour144
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Vocals definitely a 9, if not 9.5 and musicianship is a perfect 10 for me haha!
11:10 AM on 07/02/12
#5
Zack Haughton
The song that goes like danananana
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Yeah, the guy's voice sounds better, but this album is so chock full of filler its mindboggling.

I think it's a decent record, but this review reads like they're the best thing to happen to metal in years
11:10 AM on 07/02/12
#6
B.Leibo
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Epicly epic band and album, never fail to fill a certain void.
11:12 AM on 07/02/12
#7
sevinw0rds
Polyrhythms!
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This album crushes. I love that Spencer came in and dropped the jaws of anyone who doubted him.
11:54 AM on 07/02/12
#8
Miketheunicycle
"Look mom, no hands!"
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ive heard pieces of this album and am super stoked to hear the full thing
12:17 PM on 07/02/12
#9
Ferrari333SP
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"Luck As A Constant" is my jam; the solo near the end just slays.
12:30 PM on 07/02/12
SourStuff
Five Body Blade Vocalist
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Ummm pretty sure this should be a ten... Tony Iommi said so...
12:35 PM on 07/02/12
_><_
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This record blew me away. This and the new Japandroids records are probably the only 2 records this year that i truly like.
12:51 PM on 07/02/12
tobuildabridge
Nope. Wrong.
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This band is sooo lame.
01:31 PM on 07/02/12
DangerousDarrin
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Great review and love the album. I feel like these guys are some of the best to come along in the genre in a while. As a person that usually doesn't like metal, I love their debut and love this even more... When I thought it wasn't possible. Great job by the band...

And Erised is my favourite track right now. The drum break is so tasty!
01:51 PM on 07/02/12
Rysker6
I am not Tom Delonge
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I'm really interested to hear this thing. The first Periphery record was in the works for so long, a good portion of the songs on it had been around for ages in various incarnations. When they parted with Barretto and delayed that album once again to re-track his vocals, I was skeptical. Everyone has been saying that the vocal growth is impressive, I'm interested to hear it.
01:57 PM on 07/02/12
astaticskyline
Musician, Network Services Engineer
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I was not a Periphery fan, and when this came out, Wow. This record is amazing. Perfect 10/10 as far as i'm concerned in the metal genre.

I dont understand the "filler" comment from earlier, they all seem like full well-written songs to me
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