Album Review
Lazerbeak - Legend Recognize Legend Album Cover

Lazerbeak - Legend Recognize Legend

Reviewed by
Lazerbeak - Legend Recognize Legend
Release Date: September 28, 2010
Record Label: Doomtree Records
Aaron Mader, better known as Lazerbeak, has spent the entire bulk of his career with The Doomtree Collective up until this point meticulously crafting beats and overlooking projects such as the collaborative Hand Over Fist and working diligently with the expansive roster. That’s not to say he hasn’t ever dabbled in the performance aspect, as Beak’s early career was spent as the guitarist/vocalist of the indie-rock band, The Plastic Constellations. Both of these credentials would ultimately lead to Legend Recognize Legend, Beak’s debut LP for Doomtree Records.

Going into the album, Mader surprised much of his fanbase by going into the project with no intentions of it being instrumental. Taking a more progressive and experimental route, Mader announced that he would be singing the majority of the record. Right off the bat, the one-two punch of “Dream Team” and “Land’s End” are entirely too indicative of the esoteric and ambient production that we’ve come to expect from Lazerbeak.

Not only that, hearing his breathy and soothing vocals does exactly that; the listener is instantly put at ease knowing that his voice isn’t lacking any talent. Sure, he’s not the best singer, but he’s getting the job done and surpassing expectations by leaps and bounds.

Aside from the actual music, there are a lot of outside factors that go into appreciating Legend Recognize Legend. Lazerbeak could’ve just as easily made an instrumental album like Paper Tiger’s Made Like Us and gotten away with it. He could’ve had a revolving door of hip-hop emcees come through the studio and rap over his beats a la DJ Khaled, but alas, there isn’t a single rap feature on the entire album. That’s right, folks. Not even the most ultimate of cop-outs, a P.O.S. feature, is found here. The extent of the features goes as far as some female harmonizing on “Bound” and choral vocals on many of the album’s tracks.

The experimental aspect of the production also ties into this album’s luster. Ethereal landscapes of sound are achieved with the massive, big-budget movie soundtrack-esque tendencies of songs like “Pearly Gates” and “Tempest.” The production on the record also allows the album artwork to make a tiny smidgen more sense.

Lazerbeak has finally done the unthinkable: He’s created a record that’s going to force the Doomtree roster to step their collective game up. Rapping about politics isn’t going to cut it anymore. Legend Recognize Legend is rich in texture, heavy in heart and passion and fueled by an accessible aesthetic that manages to tie everything together, and ultimately setting him high and above the pack.

Recommended If You LikePaper Tiger, stuff on hip-hop record labels that isn't hip-hop, vocals that are somehow raspy and smooth at the same time, loving every Doomtree artist because you're supposed to.

This review is a user submitted review from weworemasks. You can see all of weworemasks's submitted reviews here.
Displaying posts 1 - 5 of 5
05:43 AM on 10/17/10
Ryan Gardner
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Ryan Gardner's Avatar
Another great review. I'll have to check these guys out, too.
10:26 AM on 10/17/10
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HometownHero's Avatar
Another great review. I'll have to check these guys out, too.
*this guy lol.
10:49 PM on 10/18/10
poop butts
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weworemasks's Avatar
yeah, it's a doomtree producer ternt sanga. bunch of moody shit and it's been getting srs play here.
10:12 AM on 12/13/10
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thechetearly's Avatar
absolutely amazing record. one of my favorites of 2010.

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