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Counterparts - The Current Will Carry Us Album Cover
Author's Rating
Vocals 8
Musicianship 7.5
Lyrics 7
Production 6.5
Creativity 7
Lasting Value 6.75
Reviewer Tilt 7
Final Verdict: 71%
Member Ratings
Vocals 8.92
Musicianship 8.96
Lyrics 8.96
Production 8.79
Creativity 8.25
Lasting Value 8.63
Reviewer Tilt 9
Average: 88%

Counterparts - The Current Will Carry Us

Reviewed by: Sean Rizzo (10/27/11)
Counterparts - The Current Will Carry Us
Record Label: Victory Records
Release Date: October 24, 2011

Counterparts are a melodic hardcore/metalcore hybrid from Hamilton, Ontario. Their debut album, Prophets, made waves in the overall heavy music scene as the manifestation of their own unique take on a revival back to a more honest and straightforward period for hardcore. It undoubtedly rekindled the spirits of despondent fans who thought their time had passed. Being a very young band in terms of member age, Counterparts have been issued the challenge of continuing to expound and capitalize on their ever-growing momentum, while still taking more time to discover themselves and what their real musical inclinations are. Their new album, The Current Will Carry Us, has been esteemed by its authors to do just that.

The Current Will Carry Us takes a darker and heavier instrumental definition in comparison to Prophets, which had a serious amount of drive but seemed to lack a good chunk of the momentous punch that fans of heavy music everywhere can relate to. Indeed, as Brendan yells angrily in "I Am No One", Counterparts is "no longer the prophet that [it] once claimed to be". Instead of the soaring lead riffs taking center stage amidst Brendan's optimistic words, The Current Will Carry Us continues the self-propelled vortex of speed and technicality while wrapping it around very dense, distorted, and low-tuned (maybe even djenty?) riffs that crash together exceptionally violently, with a still motivational but more realistic lyrical direction from Brendan. The general appearance isn't all that has changed either, as the bass guitar becomes much more musically polarized in two directions. The first is a very sludgy and droning mass that is relatable to more ambient forms of metalcore, best shown in "MMVII". The second is opting out of the occasional breakdowns used in Prophets and increasing the chugging speed to the point which the bass guitar actually rivals the percussion in being the most energetic tempo placement, best shown in "Jumping Ship". It's interesting to hear these two approaches alternate between tracks. The guitar work has also gotten something of an ambient facelift. Although the quick and uplifting lead solos are still present, there are several occurrences where the riffs are drawn out, creating a more textured effect to suit the darker soundscape that becomes thematic on the album.

Despite all of my speaking of change, don't expect anything too drastic. Counterparts haven't turned into a technically-obsessed drone metal band. They have simply made changes to accentuating subtleties which redefine and re-emphasize their already distinguished features. The percussion and all the guitars are just as quick, if not quicker than ever, only with the newfound solidarity described above. The beautiful down-tempo atmospheric sections a la "Goodbye, Megaton" are also still present although they have become something of a rarity, with the only real instance being at the end of "Pedestal". Even more consistent between releases are Brendan's always well-executed unclean vocals, barking and roaring with the same fierceness of Prophets and with some added rhythm sensibility as well ("I Am No One"). To my dismay, however, the scarcely found cleans have taken a very big step down from the well-implemented end of "Sturdy Wings" to the horrendously clashing end of "MMVII".

From my perspective, Counterparts have always been something of an oddity amongst their scene. While their melodic hardcore roots and inspiration are unabashedly displayed in their music, attitude, and imagery, the metalcore influences that they incorporate have been enough to alienate them from the extreme hardcore purists. In a similar fashion, I have met younger kids on certain addicting music sites who are a musical collective consciousness, something I had thought to be exaggerated until personally witnessing it. They limit themselves only to the extremely stale breakdown gimmick, rather than delving into new sounds in the general vicinity such as the subject of this review. Because of that, Counterparts seem to have had the most success amongst genre smorgasbord-dabblers such as myself as well as the loyal but open-minded hardcore fan. Counterparts don't need to apologize for anything, as their music stands as a testament to their dedication toward musical integrity.

Recommended If You LikeShai Hulud, Comeback Kid, For The Fallen Dreams, Saints Never Surrender, hints of Cloudkicker, traditional hardcore with metalcore influences

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Displaying posts 1 - 15 of 16
08:52 PM on 10/27/11
#2
WeltallAY
Je suis l'Alpha et l'Oméga
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For how hyped this has been on this site, this is a rather low score.
12:04 AM on 10/28/11
#3
billyboatkid
The Protagonist of Loneliness
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I'm surprised I'm actually liking this. Mostly the instrumentation, but it's not bad..
05:28 AM on 10/28/11
#4
cococrisp20
3Hunna
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I agree with the score, I liked Prophets a lot better, and I especially agree with the production rating.
07:13 AM on 10/28/11
#5
silent_platypus
Elected Asskicker
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Think the score's a bit low, but good review. Excellent album.
07:19 AM on 10/28/11
#6
brandon_260
Ah, yes.
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Really good review. I'm really into this album. Can't wait for my vinyl to show.
09:04 AM on 10/28/11
#7
shawnPLAGUES
Steve Holt is a bastard.
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Great review. Loved this album.

I definitely think Hundredth should be in the RIYL.
10:51 AM on 10/28/11
#8
Jaytothesyg
The Greatest Generation
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Still haven't listened, nervous now that the score is so low but Good review!
10:56 AM on 10/28/11
#9
cubine
www.facebook.com/truthunderattack
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"melodic hardcore with metalcore influence" sounds very evergreen terrace to me. which isn't a bad thing.

edit: after checking it out, this is pretty cool stuff.
12:41 PM on 10/28/11
Miketheunicycle
"Look mom, no hands!"
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good disc, good review, but id give it higher, 75-80 is more accurate.
01:20 PM on 10/28/11
AdamChildress
Wondrous Oblivion.
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Love this record.
02:27 PM on 10/28/11
CastlesXClouds
Relax
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gonna check it out!
08:32 PM on 11/01/11
DJWildefire
On the verge of breathtaking
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Review read higher than a 71. Haven't heard the album but pretty well-written.
12:59 PM on 11/03/11
dtomczak
always hungry.
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never listened to this band, but the for the fallen dreams recommendation has me hooked.
04:41 AM on 11/07/11
Kozzy333
sad canadian cook
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905 all day
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