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Haunted Horses - Watcher Album Cover
Author's Rating
Vocals 8.5
Musicianship 9.25
Lyrics 9
Production 9.5
Creativity 9.5
Lasting Value 9.5
Reviewer Tilt 10
Final Verdict: 93%
Member Ratings
Vocals 5
Musicianship 4
Lyrics 4
Production 3
Creativity 6
Lasting Value 4
Reviewer Tilt 4
Average: 43%

Haunted Horses - Watcher

Reviewed by: bartels18 (06/10/14)
Haunted Horses - Watcher
Record Label: Self-Released
Release Date: September 28th, 2013


The ever watchful eye of the moon; it's luminescent, presiding over the darkest dominions of mankind. Producing the fearful and phobic period of our daily lives called night, it allows humankind’s worst doubts and woes to creep silently upon us. For centuries the moon has been considered a deity; various pagan societies have centered their worship around the numinous rock. Today that tradition continues through the psych-dark-pop industrial portal torn open by Seattle’s Haunted Horses. With their 2013 full length Watcher, abstract and ethereal landscapes are brought to life through the nine tracks of chaotic, monotonous and rhythmic originality. Haunted Horses severs the boundaries of reality in grinding, pulsating yet melodic, movements that forcibly tear open jaw sockets of all who knowingly participate.

Much like the rituals and ceremonies repeatedly observed throughout the album, a participant is expectant of a gruesome outcome, all in order to tear down the established order and bring forth a new “light” upon the world. Haunted Horses mercilessly ushers in this new order with a conceptual tale of moon worship, absolving the past reich of purity and dethroning what the world has come to know as holy. Continuous themes and phrases are repeated through Watcher, the title itself gives jarring reference to the moon and its dominance over the mystical world of darkness. Winter, candle light, children of light, children drowning, westward movement, tears, bathing in bodies of salt water, mirrors, thrones and the sky are all common themes lyrically within Watcher. The over laying story line follows the phases of the moon in an animistic tale of purging the world of former deities with promise of a pure rebirth under the watchful eyes of the moon.

“Forsake the emptiness of prayer and drown the idols, cleansing inside a worlds lost light, which healed them.” Promises of absolution in wake of destruction are spoken throughout the track “The Void.” A tune that pulsates symbiotically with the dance ridden sparsity of its back beat. Drums contour the massive mold created by the sawed out, pulsating sounds of what seems to be a guitar, fuzzy droning bass and ghastly vocals; a movement that goes from syncopated hits, clicks and clacks to crashing cymbals raining down upon the listener. The highlight of the song occurs as the drums switch to a simple hi-hat dance, while the guitar/synth/bass (all instruments are heavily dowsed in effects) pulsate vigorously.

The opening track “Numinous” ritualistically hums its way up into a rolling tribal beat, laid behind a guitar line that stretches and careens across time in post-rock fashion, just as the moon night after night rises across the expanse of what we know as the universe. One of the more guitar heavy and straight forward songs on the album, it leads into a tale of demon summoning called “Goetia” that brings to mind the sludgier and more horrific aspects of post-rock legends Pelican. Dissonant guitars are strummed downwards as a second layer of dryly reverb chocked guitars crack through the skin of the song, accompanied by the heartbeat of a crashing drum kit.

“White Night,” an instrumental break clocking in at just under a minute, consists of the simple bell ride upheaval, turned to floor tom smack, with the whistling and screeching of multiple noise layers heard high over head. The chant of “White Night” remains constant throughout. It leads into the cosmic dark carnival psych-surf pop tune of “The Moons March.” Yes I know that was a lot, but if you listen to the kooky sporadic drum beats, distorted billowing bass, rhythmic, scratching guitars and creepy midnight boardwalk keyboards then you will find just what I described. Similar, yet more chaotic and pursuing, sounds can be heard on the later track “Lumenance.” Its jangled thunderous drumming, groaning reverbed and distanced guitar work and superb work of low tension to high tension dynamics makes it one of the best songs on the album. The best, however, is saved for last.

The closer “White Eyes,” a track that was previously released by the band as a single, leaves the listener with a culmination of all sounds heard on Watcher, coming together in a perfect arrangement of psychedelic dark surf pop moon worshiping fury. Delayed and straining noises pulsate in and out as rolling drums are set into motion, much as the tides of the ocean are pulled a long by the moon, over head echoing scratches that strike the listener with vigor. The song soon explodes into post-punk waves of pressuring singular distorted and fuzzy guitar and bass strokes accompanied by crashing cymbal strikes on all sides. Returning to the structure of the previously mentioned verse, the song catastrophically rolls on until the climax of the song, where elements of repetitive motion are once again used to the bands advantage. “I’m coming for you all” is repeated subtly till the rise of whatever has been summoned is too great and destruction is imminent. Apocalyptic guitar work is quickly pursued by erratic and chaotic drumming that creates a barrage of sound, alternating between cymbal and snare in every other hit, prancing along mercilessly much like the four horsemen in their siege on this earth. In between breaths, the band produces white noise that destroys any conception of reality the listener may have left. And the song ends with the hammering of one last floor tom.

The final track leans heaviest on the side of pop structure within the album, while maintaing the experimentation Haunted Horses is noted for. It is reminiscent of something off of the latest Creative Adult releases, Psychic Mess. Both make heavy use of experimentation within effects and production quality. Watcher is chock full of tricks that can produce a spooky, distant and ethereal sound. One of the best parts of this album is that it is a true concept album, it all connects both lyrically and musically. There is no stopping, much as the moon is in continuous motion, so are Haunted Horses. Purge yourself in the darkness and revel in its light. Watcher is available now through the bands Storenvy, self pressed in limited quantities.

Recommended If You LikeCreative Adult, Pelican, Psych Dark Surf Pop, Industrial beats, Moon Worship, Mythology
 
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