Interesting interview between @imstilljosh and my old investor in @collectrecords — makes me wonder if we jumped too soon in cutting ties. I think Capitalism as a whole can be pretty gruesome and Pharma especially. I am starting to wonder where all the patients that have been denied access to Daraprim are. And–obviously– my first duty is to my bands and artists. To make them feel comfortable about being on an ethically responsible label. xx
My head is still spinning, and though I want to believe that there is some reason that he would do this that is some remotely positive way, the only thing I can see is that it is totally and completely heartbreaking.
I can’t see my future at all in the label. I have to see what the bands want first, and see if there is any meaning or any mission following all of this. More than anything, I want the bands to see that I hold art as the guiding force in my life. Ultimately I see this going in the same way it always does, where all the artists get blamed for everything and capitalism is never held...
I remember all that. Even the mic swinging thing—like one day, Geoff just started swinging his mic and then everybody started doing it. It was ridiculous. I heard stories of Geoff walking into a show and first song in the dude would swing his mic and Geoff would walk out. Everyone was a pioneer trying to put all this shit out, so if somebody stole your shit—even black nail polish—you’d get fucking pissed off.
Things weren’t always this good for Rickly. Thursday had been spinning their wheels for a while when they finally broke up in 2011. "We used to joke around, Tucker [Rule, drummer] and I," Rickly remembers. "In between songs, he'd do this" — Rickly mimes sticking a punchcard into a machine — "and that would mean he was punching the clock that night. If the guy that’s the engine, in the middle of the band, is like, 'This is just a job,' you feel it resonate through the whole band. Alternately, sometimes, I'd be getting water and looking at him, and he'd be laughing and going, 'You are so not happy.' When you’re interfacing with the...
The missing “E” in HTRK could easily stand for “Explanation” or “Explicit.” The lyrics on Psychic 9-5 conjure imagery, imply context. Nothing is overt, nothing is spelled out. On “Give It Up” and “Love Is Distraction,” Standish sings alternately about how she’s “gonna love you much better” and about how “love is distraction from your life,” claiming “we won’t evolve because of it.” The deep ambivalence in her lyrics and delivery omit intention, leaving each listener a meditation on the value of love in a life.
What we get in punk these days is the “anti-anti”: Someone comes up with something, then the next generation is against that, and then the next generation is against that, and then that thing becomes a problem. There's these layers of anti-, and so many of them are just so self-serving. It's not about larger freedom. Laura Jane Grace and Against Me! are one of the only punk rock things I've seen in years. And that's what [The Next Four Years] is about, starting with "Serious Business" as a joke about careerism and privilege and how blind we all are. All these songs are set up as jokes, and the...
United Nations has signed to Temporary Residence Ltd. and will release a new LP, The Next Four Years, on July 15th.
1. Serious Business
2. Meanwhile On Main Street
3. Revolutions At Varying Speeds
4. False Flags
5. United Nations Find God
6. Between Two Mirrors
7. Fuck The Future
8. Stole The Past
9. United Nations Vs. United Nations
11. Music For Changing Parties
The Talkhouse is currently featuring a heartfelt and interesting article written by Geoff Rickly (Thursday) about how circumstances in his life ended up with him paying $2000 to see The xx play in New York. Well worth a read.
A couple of weeks ago I paid $2,000 to see the XX play for forty people at New York’s Park Avenue Armory. They’re not one of my favorite bands or anything. And I’m not rich. But, to me, it was worth it. That either means that it was an utter revelation OR I have no idea of the value of money.
Check the replies for a good audio interview with Geoff Rickley, of Thursday fame, where he addresses a lot of things ... including the rumors that he'll be working with the remaining members of the now defunt Lostprophets. Also in the interview it's revealed that Geoff has decided to really buckle down on his label now that he was able to secure some financing from an investor. They have a Saves the Day 7", Touche Amore 7", and Title Fight 7" all on deck. It's a good listen and definitely worth the time.
Since Thursday was unable to do a proper farewell tour in the UK, frontman Geoff Rickly will be performing several Thursday songs solo as part of the 2014 Acoustic Basement UK Tour. Watch a video announcement in the replies, which features a clip of a cool electronic version of "Understanding in a Car Crash."
Geoff Rickly has written a blog titled "The Nine Circles of Vans Warped Tour." It's a pretty good read. There's an excerpt below and the full things can be read here.
Blood on the Dance Floor makes me feel old and irrelevant. Why? Because I don't know what the fuck it is. It's electro-pop-scream-metal-violence in goth drag that celebrates "cumming" on the audience with giant foam canons and has one of the most positive, inspirational record inserts that I've ever read. It's either horrible nonsense or next-level art. But it's truly made me realize, I don't know the difference. So the singer with red hair and scary make-up told me that Thursday's song, "You know," he says, "the car...
Watch Get Involved! (members of Thursday, Glassjaw, Death in the Park, and From Autumn to Ashes) play a live demo of their first song, "Serenity Now," on AltPress. With Kickstarter funding, the band is planning to record an EP with Ross Robinson (At The Drive In, Glassjaw).